“You young imp of Satan!” demanded Mrs. Munday—her feelings of outraged virtue exaggerating perhaps her real sentiments. “What are you doing?” The woman made no attempt to deny. Something told her that Joan had learned her secret. She glanced towards the door. Joan had closed it.!

Mr. McKean shook her hand vigorously without looking at her. “Don’t make me feel I’ve interfered with your work only to spoil it,” said Joan.

“I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.” She grew impatient of the fighters with their mouths; the savage old baldheads heroically prepared to sacrifice the last young man; the sleek, purring women who talked childish nonsense about killing every man, woman and child in Germany, but quite meant it; the shrieking journalists who had decided that their place was the home front; the press-spurred mobs, the spy hunters, chasing terrified old men and sobbing children through the streets. It was a relief to enter the quiet ward and close the door behind her. The camp-followers: the traders and pedlars, the balladmongers, and the mountebanks, the ghoulish sightseers! War brought out all that was worst in them. But the givers of their blood, the lads who suffered, who had made the sacrifice: war had taught them chivalry, manhood. She heard no revilings of hatred and revenge from those drawn lips. Patience, humour, forgiveness, they had learnt from war. They told her kindly stories even of Hans and Fritz. “I’ll grant you all that, sir,” answered the young soldier who had first spoken. He had long, delicate hands and eager, restless eyes. “War does bring out heroism. So does pestilence and famine. Read Defoe’s account of the Plague of London. How men and women left their safe homes, to serve in the pest-houses, knowing that sooner or later they were doomed. Read of the mothers in India who die of slow starvation, never allowing a morsel of food to pass their lips so that they may save up their own small daily portion to add it to their children’s. Why don’t we pray to God not to withhold from us His precious medicine of pestilence and famine? So is shipwreck a fine school for courage. Look at the chance it gives the captain to set a fine example. And the engineers who stick to their post with the water pouring in upon them. We don’t reconcile ourselves to shipwrecks as a necessary school for sailors. We do our best to lessen them. So did persecution bring out heroism. It made saints and martyrs. Why have we done away with it? If this game of killing and being killed is the fine school for virtue it is made out to be, then all our efforts towards law and order have been a mistake. We never ought to have emerged from the jungle.”